![]() ![]() Sinar even makes it easier by including Schiemflug tilt calculator (on the F, I am not sure about the A), to simplify using base tilts for the newbie. Monorail shift exchange facebook group free#Working with base tilts isn't nearly as difficult as alot of people make it out to be, and Sinar's yaw free design allows it freedom of movement that would leave those other cameras (except the Arca I mentioned) with back spasms. Jason I wouldn't be so quick to dismiss the Sinars. I have only one new lens, and If I had it to do over again, I would have 100&% used lenses. ![]() A used lens from a good dealer will serve you well. I think you would be better off with a used Caltar II-N, Fujinon W, Nikon, Rodenstock Sironar-N, or one of the Schneider Symmar 150mm lenses. The Caltar or Geronar lens you mentioned are triplet designs with very limited image circles. You can use the money you saved by buying a used camera to buy a good used lens. They are available at very reasonable prices. That camera has virtually identical specifications to the NXII. If you don't need the longer rail or revolving back, then look for a used Calumet 45N. ![]() There is so little to go wrong with the camera, you should be able to find one in very good condition. If you can find a good used sample, it would be a great deal. The 45NX has a 21" standard monorail, and a very desireable 360 degree revolving back. It has a shorter standard monorail, and a repositionable back. The 45NXII is, in my opinion, not as desireable as the 45NX even if it is new. They also come up for auction on the web very frequently. Try Midwest Photo Exchange (ask for Jim), KEH.com, or Calumet. It is very durable, and you can find many of them used. Also keep an open mind to 180mm or 210mm focal lengths which give greater coverage with only slightly narrower field view or a 135mm which provide a significantly wider perspective, but somewhat less coverage.įor a detailed review of the Calumet 45NX, see, which I wrote based on my experience with that camera. ![]() The more recent multi coated Fuji W's will have the lens name printed on the outside of the lens barrel. I'd look for a used Fujinon W 150mm or a Schneider Symmar-S 150mm or a Caltar-S, which can often be found use for only slightly more. These lenses typical have less coverage, and are less sharp than 6 element/4 group designs. They're both 3 element/3 group lenses- triplet designs. Monorail shift exchange facebook group series#A Series III with standard bellows can usually be had on ebay for $400-$500.Īs far as the geronar verser the caltar IIe- they're the same lens, produced by Rodenstock. The Leather Wide angle bellows and the deep recessed lensboard are two highly desirable accessories to look for in a package deal. Just be aware that these older Arca's are in many ways incompatible with current Arca- the rails would have to be completely swapped out to use modern Arca rails the bellow are totally incompatible- but are still made by Arca Swiss New lensboards are compatible, but are a tight fit extention standards are tough to find, but can be found on ebay as can other hard to find Arca accesories. You also might consider an older model Arca Swiss series III, which has even greater packability than a Sinar Alpine. I own the Toyo 45Cx, and it's not a bad camera- it's got more movements than the 45nx, but the Calumet(Cambo) is more durable, and the Sinar F wins hands down on durability. If packability isn't an issue and it's strictly going to be a studio camera I'd go for a Sinar F or the Calumet 45Nx. Of the ones you mentioned I'd go for the Sinar A because of its easy packability, and the high availability of Sinar accesories. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |